Polonnaruwa The Medieval capital of Sri Lanka
The history of early Sri Lanka was very carefully recorded and written down by monks.
The Mahavamsa (Great Chronicle) records the earlier period of the Sri Lankan, and Chulavamsa (lesser Chronicle), gives an accurate picture of the 'Polonnaruwa' period.
From this chronicle we learn that Aggabodhi IV (667 - 685) AD was the first Sri Lankan King who lived in Polonnaruwa, and the town came gradually to become the 'Country Residence' of royalty. Anuradhapura, the formal and administrative capital, was already a thousand years old, and kings increasingly favoured the new city of Polonnaruwa, and developed it. However it was the Cholas of South India who made Polonnaruwa the capital after looting and burning Anuradhapura in 993 AD.
In 1070 AD the Sinhala King Vijayabahu I liberated the country by defeating the Cholas, and kept Polonnaruwa as his capital. Vijayabahu succeeded in repairing much of the irrigation system in the island, encouraged trade and brought some prosperity back to the country.
King Parakramabahu I (1153-86) raised Polonnaruwa to its heights. He erected huge buildings, drained swamps and planted vast areas with crops, planned beautiful parks, created wildlife sanctuaries, restored earlier monuments & even undertook military expeditions against Burma and India.
However his crowning achievements were the creation of the 2400 hectare tank (about 15 Km2), so large it was named the Parakrama Samudra (Sea of Parakrama); and the unification of the three orders of monks, the Maha vihara, Jetavana and Abhayagiri into one Sangha or 'Supreme Order of Monks'. The greatness of his achievement was to ensure the survival of Buddhism in the dark centuries ahead.
Parakramabahu was the last great king of Sri Lanka.
King Nissankamalla (1187 - 96), although claimed himself to be a great builder, was not. And squandered most of the country's wealth trying to match his predecessor's deeds.
The decline of Polonnaruwa
After Nissankamalla's death, Polonnaruwa went to decline, civil war, lawlessness and constant invasions from the South Indian Chola Empire, and Malay barbarians who sacked the city several times, virtually destroyed the social structure and religious order of the country. A whole century after this were the 'Dark Ages' of Sri Lanka, a century from which few historical records survive.
The capital was shifted to Kurunegala, and Polonnaruwa returned to the jungle; it's great reservoirs survived as a series of swampy lakes, and its large brick buildings became lost under thick tropical forest. The Portuguese are said to have raided and looted Polonnaruwa, but by the early nineteenth century the site was completely lost.
In the early years of this century the main monuments of the ancient city were uncovered. Today, conservation and excavations continue, as part of the work of the Cultural Triangle.
"Polonnaruwa: Places of interest"
One of the most striking features in Polonnaruwa is the vast Parakrama Samudra (Sea of Parakramabahu), an irrigation tank built, as the name indicates by King Parakramabahu the Great. This was his largest irrigation project and covers an area of more than 15 Km2.The dam (or bund, as it is known in Sri Lanka, is almost 14 Km long and 12 metres high.
The Dipuyyana (Island Garden) is on the promontory by the rest house. When King Parakramabahu had built his vast lake, he selected this lovely spot for a royal garden. Later King Nissankamalla liked it so much that he built his palace and council chambers there.
Parakramabahu's Palace must have been an imposing edifice, and the chronicles describe it as "seven stories high, furnished with a thousand chambers". Entering the palace from the south, you come to great hall (31 Metres long and 13 metres wide), which was probably an audience hall.
Across the way is the council chamber of Parakramabahu - embellished with lion portals, graceful pillars and a moonstone (a delicately carved stepping stone). The building is supported by powerful bas-relief elephants around the base. Each one is different from the next.
The structural techniques of this period were the same as those of the Anuradhapura period, but there was a greater use of lime mortar, which enabled the building of brick structures of dimensions never before attempted.
A little further on is the handsome royal bath, the Kumara Pokuna. This area was probably a part of the Royal Pleasure Garden of Parakramabahu. Water, which may have been perfumed, flowed into the bath from the sides, and the solid masses of stone ensured that even on the hottest day, the water was cool. Another feature of this garden was a shower bath, which was "like a cloud pouring forth rain by (reason of) the showers of water which flowed constantly from the pipes of the apparatus.
A Hindu Temple of chaste and restrained line dedicated to God Siva. This temple dates to the later Polonnaruwa period, and was probably built during a period of Indian domination in the thirteenth century. A number of superb bronzes in mature Choler style were found at this temple, and these can be seen at the Colombo Museum.
This oblong brick image house occupies the southwest corner of the adjoining quadrangle. The Thuparama, is a large Buddhist image house.
Inside the building, in the inner sanctum, is a ruined brick and plaster pile, that was once a seated image of the Buddha. The original vaulted roof of the building is still intact. Tropical rains run down the curve of the roof, and like the gargoyles of medieval Europe, Makara (dragon) spouts drain the water to the ground.
This circular relic house possesses an elegance and beauty that is rare even in ancient Sri Lanka. In line with the outer circle of stone pillars is a tastefully ornamented screen wall patterned with four petaled flowers.
The flights of access stairs at the cardinal points are of stone and are beautifully carved. At the head of each flight is a Buddha statue in stone. The shrine is lavished with moonstones., guard stones and sculptured writings.
The shrine, like all dagobas in Sri Lanka, is oriented towards the cardinal points - north, south, east and west. Four Buddha statues face outwards, with their backs to the dagaba mound.
A very pretty pavilion, this floral altar in stone has pillars which simulate with rare grace, a lotus on a stalk. This is a sacred hall of unknown purpose, and it was built by Nissankamalla. In the centre of the building is a small model dagaba, with worshippers sculptured around the base.
A square pyramidal tower in seven tiers - a Dagaba of novel design. Each side of each tier is ornamented by a figure of a deity in an arched niche. The simple, stepped design is a very ancient form of architecture which occurs in the step pyramids of Egypt, and the ziggurats of Mesopotamia. Another building of this type occurs in Thailand in the monastery of Vat Kukut at Lamphun, and both are probably derived from an earlier Indian prototype.
The Shrine of Sixty Relics, which stands opposite the Vatadage. It was claimed to have been built by King Nissankamalla to house the Sacred Tooth Relic and is a handsome edifice, whose plain ashlar walls are very artistically relieved by a double border of faintly incised carving. However despite Nissankamalla's claim, it may in fact been built by Parakramabahu.
A massive 8 metre long and 4.3 metre wide stone slab, which lies by the side of the Hatadage is inscribed with the deeds of King Nissankamalla. The massive inscription, amongst other things, records Nissankamalla's brief invasion of India in glowing terms, and details of his relations with foreign states, as far away as modern Pakistan and Indonesia.
To the east is the softly rounded dagoba. the Pabulu Vehera or Coral Shrine. It is said to have built by Rupavati, one of the queens of Parakramabahu. There are a number of Buddha images to dating from the later Polonnaruwa period to be seen around the dagoba.
Past the north gate of the citadel lies the exquisite Hindu temple built entirely of stone. The building dates to the 10th Century AD, and is the oldest identifiable building in Polonnaruwa. The building is in an early and perfectly simple Choler style, and is one of the masterpieces of Indian art to be found at Polonnaruwa.
Built by Nissankamalla. This Dagaba is the largest in Polonnaruwa and measures 550-ft. in girth and 180 feet high. Although it was completed by Nissankamalla, the dagaba was probably largely the work of Rupavati, one of Parakramabahu's queens.
The walls of the majestic Lankathilake even now stand 55 ft. high. In the 12th century, it was one of the most splendid of Buddhist Shrines in Asia. Lankathilake (the ornament of Lanka), was built by Parakramabahu I. The vast standing Buddha inside the shrine was originally about 41 feet (13 metres) with it's base, but sadly only its torso now stands.
The brickwork of the building is of extraordinary variety, from the massive bricks which support the weight of the building, to the tiny, delicately molded bricks of the architectural details. The building must have been immense, and even today it is the most impressive ruin of the ancient city.
Just ahead of Lankathilake is the 'milk-white shrine' named for its exterior of gleaming white. It is the best preserved of Sri Lanka's un-restored dagobas. Traditionally commemorating Queen Subhadda, one of King Parakramabahu's wives.
The most impressive sculptures at Polonnaruwa are the colossal Buddha images carved on the face of a granite boulder at the Gal Vihare. It includes some of the masterpieces of Sri Lankan Buddhist art, and these were commissioned by Parakramabahu I.
The first sculpture is a seated Buddha image in a deep meditation, on a throne decorated with lions and thunderbolts and behind the Buddha is a halo. The statue is one of the most impressive examples of Sri Lanka's sculpture.
The next sculpture is inside a cave out of solid rock. The seated Buddha is protected by an umbrella. Between the cave and the tall standing figure is a large inscription of Parakramabahu, which records in detail his struggle to unite the Buddhist order, and sets out the reformed rules of conduct.
The standing figure, twenty three feet high (7 metres), with crossed arms is the next sculpture to be seen. The carving of the serene face is extremely sensitive, and the relaxed, elegant execution of the body and drapery distinguishes this figure as one of the masterpieces of Sri Lankan art.
The immense figure of recumbent Buddha measures 46 ft (14 metres). is the last sculpture in the group. The Buddha is lying down, at the final moment of his earthly life, entering Parinibbana, the state of supreme enlightenment. Here too the liquid flow of the robes over the body and the calm expression of the face are beautifully interpreted.
This enormous stupa was built by Tamil prisoner of-war-labour. It is a shrine of novel design, the dome rising from a terraced and molded base is left unfinished at a height of about 50 ft. from the ground. If it was completed, it would have been the largest dagaba in the world, rising to about 600 feet in height.
A pretty rook-cut pool shaped like a stylised lotus, constructed in diminishing concentric lamina, built by Nissankamalla.
Largest among the brick - built shrines of Polonnaruwa. In the narrow antechamber, beautiful Devas (demigods), and the Bodhisattvas above, beckon the worshipper into the inner sanctum. Here stands the mighty Tivanka image of the Buddha, depicted in the 'thrice curved pose.
Potgul Vihara is the modern name by which the southern monastery in Polonnaruwa is known, but it's ancient name has not been established. The superb sculpture, which introduces the art of Polonnaruwa to the visitor, is also mysterious. It is generally considered to be a representation of Parakramabahu the Great. Other opinions however, identify the figure as that of a sage. Whoever that it may represent, the sculpture is one of the great masterpieces of Sri Lankan art.
Potgul Vihara - The Monastery
Potgul Vihara Monastery lies about a hundred yards to the South of the rock sculpture. It is a unique monastery. It is believed, that this was built by King Parakramabahu, as mentioned in the chronicle, " for listening to the birth stories of the Great Sage, which were related by a teacher" . Today, if you enter the round room, which is plastered, the acoustics are still excellent, even though the roof has collapsed.